Threads, ponchos, metal frames — my work weaves together the textures of migration, mestizo identity, and cultural memory. Through abstract gestures and symbolic materials, I explore how bodies and traditions stretch, adapt, and endure in displacement.

 

Rooted in personal experience, my practice bridges painting, sculpture, and textile, revisiting Andean festivities, Indigenous knowledge, and mestizo histories through the lens of exile and transformation. Colour, texture, and embodied form become acts of resistance — ways to carry memory as a portable refuge.

 

I invite the audience to reflect on how home, identity, and belonging are never fixed, but constantly remade in motion.