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Patas Arriba

Recognition shifts before language arrives.
The body is read, misread, and rewritten.

Figures appear as fragments, positions, echoes.

Contemporary painting of the Danzante de Yaruquí from Andean carnival traditions – Patas Arriba by Susana Uvidia

Contemporary painting of the Danzante de Yaruquí from Andean carnival traditions – Patas Arriba by Susana Uvidia

Diablo de Lata carnival figure reimagined in layered abstract painting – Patas Arriba by Ecuadorian artist Susana Uvidia

Diablo de Lata carnival figure reimagined in layered abstract painting – Patas Arriba by Ecuadorian artist Susana Uvidia

Abstract depiction of the Sacharuna, mythical Amazonian being, as a carnival character – Patas Arriba series

Abstract depiction of the Sacharuna, mythical Amazonian being, as a carnival character – Patas Arriba series

Carnival Perro character interpreted in bold colour and texture – Patas Arriba by Susana Uvidia

Carnival Perro character interpreted in bold colour and texture – Patas Arriba by Susana Uvidia

Playful abstract painting of the Payaso, a joyful Andean carnival figure – Patas Arriba by Susana Uvidia

Playful abstract painting of the Payaso, a joyful Andean carnival figure – Patas Arriba by Susana Uvidia

Diablo Huma carnival character reinterpreted in contemporary abstract style – Patas Arriba by Ecuadorian artist Susana Uvidia

Diablo Huma carnival character reinterpreted in contemporary abstract style – Patas Arriba by Ecuadorian artist Susana Uvidia

Curiquingui Andean carnival character in contemporary art – Patas Arriba series by Susana Uvidia

Curiquingui Andean carnival character in contemporary art – Patas Arriba series by Susana Uvidia

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